Perfect City/The Catcalling Project
(In)Visible Guides
3–30 June 2023
(In)Visible Guides is an art and research project created by Perfect City/The Catcalling Project and residents of a Lower East Side shelter for domestic violence survivors. The project combines map-making workshops, public art installations, convenings, and publishing designed to help survivors become public advocates for better protection alternatives to policing in public space. We believe everyone benefits when our most marginalized and least visible residents have more agency in the design of our neighborhoods and cities.
Events

(In)visible Guides Workshop Participant, 2022
Photoville Opening Celebration
(In)Visible Guides: Destiny Mata Exhibition
(In)Visible Guides: Neighborhood Tours
(In)Visible Guides: Convening
About Perfect City/The Catcalling Project
Formed by Aaron Landsman in 2016, Perfect City is a multiracial, multigenerational working group that addresses the design, policy-making and zoning of cities. Much of our current work focuses on how the city often renders low-income women, families of color and trans people escaping domestic violence unsafe, even within the shelter system. Led by working group members Tiffany Zorrilla and Jahmorei Snipes, Perfect City’s offshoot The Catcalling Project looks at how the rhetoric of real estate development and that of street harassment both propagate displacement and a lack of safety for women of color. In 2019, Zorrilla and Snipes began to offer Avoidance Mapping workshops for residents at Henry Street Settlement’s Urban Family Center (UFC), a residential shelter with counseling and other services.
Funding
(In)Visible Guides is commissioned by Abrons Arts Center with the support from Creatives Rebuild New York's Artist Employment Program, a NYSCA Individual Project Grant from The Architectural League of New York, LMCC’s Creative Engagement Program, and the National Endowment for the Arts. Prior contributors to Perfect City’s work include the Jerome Foundation, Rubin Foundation, Graham Foundation, Princeton University’s Lewis Center for the Arts, and individual contributors.