Emily Johnson and Leomary Rodriguez
Kinstillatory Mappings in Light and Dark Matter | Activating the Decolonization Rider

November 19, 2026
6–8pm

The Decolonization Rider is a powerful tool designed to advance decolonization processes within cultural institutions while protecting artists, their work, and collaborators. In this two-part presentation, the Decolonization Rider’s author Emily Johnson, along with Decolonization Rider Analyst & Strategist Leomary Rodriguez, will share how the Decol Rider works from both sides of an engagement. For artists, makers and scholars, it is a tool they can bring into agreements: a way to set terms, safeguard their work and collaborators and to initiate any necessary decolonization conversations with the organizations that present them. For cultural institutions, it is a framework to turn inward: a way to examine and change internal policies and practices so that engagements with artists and communities become safer and more justice-centered.

They will share research generated from their Decolonization Assessments, which asks: What changes have we seen in the field? What persists as perceived challenges toward decolonization? And what are some brilliant success stories? Participants will gain actionable insights for institutional transformation and learn from documented examples of successful decolonization practices.

This presentation is offered in collaboration with New York Live Arts, Movement Research and Abrons Arts Center.

Part 1 takes place Thursday, November 19th from 6-8pm at Abrons Arts Center  as part of the Kinstillatory Fire, organized in partnership with Movement Research  through the Studies Project program. This session is centered toward artists, scholars and makers who work with institutions; focusing on how the Decol Rider protects their work and supports them in shaping safer, more equitable engagements with institutions.

Part 2 takes place Wednesday, December 2nd from 4:30-6:30pm at New York Live Arts . This session broadens the conversation for artists where we also invite institutional representatives, funders, and others invested in field-wide change, offering research findings, an interactive workshop and practical pathways for institutional transformation.

About Emily Johnson / Catalyst

Emily Johnson / Catalyst makes dances and large-scale performance gatherings that insist on thrivance, radical reworlding, and just futures. Based in Mannahatta in Lenapehoking, Catalyst works in deep relationship with a community of collaborators and organizes its work across four branches: the Branch of Making, the Branch of Action, the Branch of Scholarship, and the Branch of Knowledge. Anti-colonial and abolitionist in all capacities, Catalyst is committed to on-the-ground water and land protection, consistent decolonization work, and the building of sovereign, liberated futures for human and more than human kin. We work to pay respect to Lenape homeland, people and ancestors past, present and future by organizing with communities from the Lenape diaspora to build pathways for Lenapeyok return. 

Emily Johnson [EH-muh-lee JOHN-sun] (she/her) is an artist who makes body-based work. Emily belongs to the Yup’ik Nation, is a land and water protector and an organizer for justice, sovereignty and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow and recipient of the Doris Duke Artist Award, Emily is based in Lenapehoking/NYC and Haudenosaunee lands. Since 1998, Emily’s large-scale performance gatherings insist thrivance, radical reworlding, and just futures.


About Leomary Rodriguez

Leomary Rodriguez [LAY-oh-mah-ree = Leomary] (she/her) is an Afro-Taína descendent, a data analyst, storyteller, and strategist who uses data to support decolonial frameworks. Rooted in kinship, care, and accountability, her work centers Indigenous sovereignty and Land Back. With a background in storytelling through various mediums, she uses data to illuminate patterns, uplift truth, and advance Catalyst’s mission for collective liberation.

Presenting Partners

About Kinstillatory Mappings in Light and Dark Matter

Methodology

Funding

Kinstillatory Mappings in Light and Dark Matter was created with funding from The MAP Fund, supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation.