Emily Johnson/Catalyst: Kinstillatory Mappings in Light and Dark Matter
A ceremonial fire outdoors in the amphitheater at Abrons Arts Center centering Indigenous protocol and knowledge. Sit by the fire and welcome the evening with neighbors, stories, songs, and food (bring some to share).
Emily Johnson is an artist who makes body-based work. A Bessie Award winning choreographer and 2015 Guggenheim Fellow in Choreography, she is based in Minneapolis and New York City. Originally from Alaska, she is of Yup’ik descent and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as installations, engaging audiences within and through a space and environment—interacting with a place’s architecture, history, and role in community. Emily is trying to make a world where performance is part of life; where performance is an integral connection to each other, our environment, our stories, our past, present, and future. She receives inspiration from the annual migration of salmon, who swim upstream for thousands of miles because they must. She has watched these salmon swim up waterfalls and she believes humans can also be called to do amazing things. She has been told that she makes dance for “dance-lovers” and she makes dance for “people-who-generally-don’t-like-dance.” She would like to think that this is true; she would like to think that her dances are for every body and that maybe they enlighten small aspects of our existence. Emily received a 2014 Doris Duke Artist Award and her work is supported by Creative Capital, Native Arts and Cultures Foundation, Map Fund, a Joyce Award, the McKnight Foundation, New England Foundation for the Arts, and The Doris Duke Residency to Build Demand for the Arts. Emily is a current Mellon Choreography Fellow at Williams College and was a fellow at the Institute for Advanced Study at the University of Minnesota, 2013 – 2015, an inaugural Fellow at the Robert Rauschenberg Residency, a 2012 Headlands Center for the Arts and MacDowell Artist in Residence, a Native Arts and Cultures Fellow (2011), a MANCC Choreographer Fellow (2009/2010/2012/2014/2016), a MAP Fund Grant recipient (2009/2010/2012/2013), and McKnight Fellow (2009, 2012). Her new work, Then Cunning Voice and A Night We Spend Gazing at Stars is an all night, outdoor performance gathering. It will premiere in 2017 and tour to Williamstown, MA; New York City; San Francisco; Chicago; and Melbourne, Australia.
Kinstillatory Mappings in Light and Dark Matter was created with funding from The MAP Fund, supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation.
The 2019-2020 Season at Abrons Arts Center is supported, in part, by generous grants from the Howard Gilman Foundation, the Mertz Gilmore Foundation, the Harkness Foundation for Dance, the Jerome Foundation, the Scherman Foundation, and other generous Henry Street Settlement funders. This program is also supported, in part, by public funds from the New York City Department of Cultural Affairs and support from the New York State Council on the arts with the support of Govenor Andrew M. Cuomo and the New York State Legislature.
Image: Rahim Fortune