[WORLD PREMIERE] jazz singer

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jazz singer is a theatrical exhumation of the first feature-length “sound film” The Jazz Singer, reinterpreted by Joshua William Gelb and Nehemiah Luckett.  Set on the Lower East Side, the 1927 film tells the story of a “jazz crooner” forced to choose between his immigrant Jewish heritage and his aspirations to become a Broadway star. Though the film is historically significant for its integration of synchronized sound, it is also remembered for its controversial use of blackface. Gelb and Luckett’s musical rendering offers a contemporary take on a distinctly U.S. American story, one that interrogates appropriation, assimilation, atonement, and whether escape from the specter of blackface is possible.

GUEST MUSICIANS

9/24 at 8PM  Khrys Williams
9/25 at 8PM  Jeremy Powell
9/26 at 8PM  Linton Smith
9/27 at 8PM  Gabrielle Murphy
9/28 at 8PM  Tivon Penticott / Antoine Drye
9/29 at 2PM  Jeffery Miller
10/2 at 8PM  Mark Williams
10/3 at 8PM  Riley Mulherkar / Christopher McBride
10/4 at 8PM  Zé Luis
10/5 at 8PM  Alphonso Horne
10/6 at 2PM  Rashaan Salaam
10/9 at 8PM   Drew Anderson
10/10 at 8PM  Remee Ashley
10/11 at 8PM  Abdias Armenteros
10/12 at 8PM  Jerome Ellis

POST-SHOW DISCUSSION

Following the performances on October 9 and 10, please stay after the show for a discussion with the jazz singer cast. October 9th’s post-show discussion will also include Barrie Gelles and Sean Mayes.

Barrie Gelles is a theater scholar, director, and educator. She is a PhD candidate of Theatre and Performance at The Graduate Center, City University of New York. Her dissertation examines the reoccurring themes and tropes in Broadway musicals that recreate, reframe, and reclaim narratives of Jewishness in New York City’s Progressive Era and how they shape Jewish American culture memory in the second half of the twentieth century. Barrie directs professionally in New York City, focusing on new musicals, rarely produced musicals, and re-envisioned revivals of musicals wherein she can uncover a new story while remaining loyal to the original text. She also cultivates opportunities for new musicals through Overtures, a new musical developmental reading series that she created and continue to curate. Barrie currently teaches at Baruch College and Marymount Manhattan College. www.barriegelles.com

Sean Mayes is a New York and Toronto-based music director, educator, and academic. As a music director, his work has encompassed productions across Canada, as well as in theatres across the United States and the UK. In New York, he is a proud Music Director within education circles at Disney Theatrical Group, The New York Pops and New York City Center. Recent projects include time as conductor of the Canadian premiere of The Color Purple this Spring, as well as publication in two books through UK publishers – one in print and one forthcoming – on race and musical theatre practitioners.  www.seanmayesmusic.com @SeanMayesMD
Recommended for ages 12+. Please be advised that this production contains use of the N-word and charged imagery that may be triggering to audiences. This performance contains atmospheric effects like strobe. 

ABOUT

Joshua William Gelb is a director, performer, and librettist based in the Lower East Side. Recent projects include a re-imagining of America’s supposed first musical The Black Crook at Abrons Arts Center, about which he lectured at Harvard. His work has been seen at Prelude, Ars Nova, Edinburgh Fringe, LMCC, The New Ohio, Incubator Arts, Joe’s Pub, Polyphone Festival, and Target Margin. He created/directed the Drama Desk Nominated, A Hunger Artist, which continues to tour internationally. Gelb is a member of the Lincoln Center Directors Lab, an associate artist with Sinking Ship.

Nehemiah Luckett is a performer, composer, and conductor for over 20 years, with work featured in the US and Europe. He was a featured soloist at the National Cathedral and Carnegie Hall. He has composed solo, choral and instrumental pieces including Secular Mass (a five-movement work for chorus, string quartet, and oboe), Requiem for Arctic Ice: The Northernmost Part, and Kyrie 2017. He has also co-written musicals: Hamlet: Prince of Funk, and Brick by Brick. Nehemiah is the Music Director and Composer for Rev. Billy and the Stop Shopping Choir, and the choral accompanist and Drama teacher for Manhattan Country School.


FUNDING

jazz singer is commissioned by Abrons Arts Center with generous grants from the Howard Gilman Foundation, the Mertz Gilmore Foundation, the Harkness Foundation for Dance, the Jerome Foundation, the Jerome Robbins Foundation, the Scherman Foundation, and other generous Henry Street Settlement funders. This program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. This season was also made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

Image: Jarrett Key