The New York Times

April 27, 2017

10 Galleries to Visit Now on the Lower East Side

This gallery at the Henry Street Settlement has a long record of nurturing socially conscious art, and sustains it with “Archival Alchemy,” a group show assembled...

The New York Times

March 20, 2017

Review: ‘The Terrifying’ Has Paranoia and the Feeling Something’s Wrong

The unseen but very audible creature that runs rampant in “The Terrifying” — Julia Jarcho’s lively exhumation of the id within the stories we tell to scare ourselves — is said to have many fearsome qualities. There’s its...

Time Out New York

February 16, 2017

Theater review: Deadpan auteur Richard Maxwell remounts his Good Samaritans

"For some of us, Samaritans will prove (and indeed has proved) a gateway drug. Maxwell’s avant-gardism conceals a bittersweet, beautiful romance; the show’s deliberate awkwardness emphasizes..."

The New York Times

February 15, 2017

Review: In ‘Good Samaritans,’ They Sing and Dance, but This Isn’t ‘La La Land’

The concrete-hard “Good Samaritans,” a production of Mr. Maxwell’s New York City Players, might be described as a concentrated, sugar-free version of the fluffy “La La Land.” In both works...


January 5, 2017

ARTGUIDE | Must See New York

Fugitivity, empathy, inscripture, erasure, the breakdown of white-supremacist hierarchies, and the thumping bass of Pop culture” are among the priorities of the eighth edition of American Realness, a swirling ...

The New Yorker

December 19, 2016

Anna Kohler’s Performance Art

In her new piece, “Mytho? Lure of Wildness” (at Abrons Arts Center, through Dec. 22), Kohler no doubt takes some of the information that she has amassed over many years of performing...

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