The New York TimesMarch 20, 2017
The unseen but very audible creature that runs rampant in “The Terrifying” — Julia Jarcho’s lively exhumation of the id within the stories we tell to scare ourselves — is said to have many fearsome qualities. There’s its...
Time Out New YorkFebruary 16, 2017
"For some of us, Samaritans will prove (and indeed has proved) a gateway drug. Maxwell’s avant-gardism conceals a bittersweet, beautiful romance; the show’s deliberate awkwardness emphasizes..."
The New York TimesFebruary 15, 2017
The concrete-hard “Good Samaritans,” a production of Mr. Maxwell’s New York City Players, might be described as a concentrated, sugar-free version of the fluffy “La La Land.” In both works...