Belladonna*: and/with: Fred Moten and Simone White
FRED MOTEN is author of In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Hughson’s Tavern (Leon Works, 2009); B. Jenkins (Duke University Press, 2010); The Feel Trio (Letter Machine Editions, 2014), which was a poetry finalist for the National Book Award and Los Angeles Times Book Prize and winner of the California Book Award for poetry; The Little Edges (Wesleyan University Press, 2015), which was a finalist for the Kingsley Tufts Poetry Award and The Service Porch (Letter Machine Editions, 2016), A Poetics of the Undercommons (Sputnik and Fizzle, 2016) and a three volume collection of essays whose general title is consent not to be a single being (Duke University Press, 2017, 2018). Moten is also co-author, with Stefano Harney, of The Undercommons: Fugitive Planning and Black Study (Minor Compositions/Autonomedia, 2013) and, with Wu Tsang, of Who touched me? (If I Can’t Dance, I Don’t Want to be Part of Your Revolution, 2016). He’s been awarded a Guggenheim Fellowship and the Stephen E. Henderson Award for Outstanding Achievement in Poetry by the African American Literature and Culture Society.
SIMONE WHITE is a poet, critic, mother, and program director at The Poetry Project. Her most recent collection of poems is Of Being Dispersed. She was born in Middletown, Connecticut, and raised in Philadelphia. She earned her BA from Wesleyan University, JD from Harvard Law School, and MFA from the New School. White is the author of the full-length collection House Envy of All the World (2010) and the chapbooks Dolly (2008) and Unrest (2013). Her work has been praised for its innovative complexity, allusive song, and “lyric deconstruction of desire, entitlement, blackness, the domestic, language and diction,” in the words of Anna Moschovakis. White has received fellowships from Cave Canem and was selected as a New American Poet for the Poetry Society of America. She is completing a PhD in English at the CUNY Graduate Center and lives in Brooklyn, New York.
Belladonna* Collaborative’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.